In a wonderful book entitled Creative Authenticity, artist Ian Roberts argues that at some point you just have to jump in, fears and all. There is something courageous about it. The really tricky part is finding what you want to say.
“Ultimately, it doesn’t matter to the world whether you paint, dance or write,” says Roberts. “The world will probably get by without the product of your efforts. But that’s not the point. The point is what the inner process of following your creative impulses will do to you. It is clearly about process. Love the work, love the process.
Robert’s principles essential for creative authenticity:
- Searching for beauty. Beauty is something that seizes your attention, stops you in your tracks, silences you. It can be the way light filters through the trees in your backyard or the magnificence of a fifteenth century Italian painting. The subject is irrelevant; it is only a vehicle for your attention, to engage the intensity of your feelings. That intensity is what viewers ultimately respond to.
- Communication. Creativity fundamentally involves expressive power; it is the catching of the “gleams of light” that flash across our mind and forming that vision into something.
- Your home turf. It could be a garden. Or a studio. But you need a creative home base that always stays open for your arrival and bestows on you a readiness to begin your work.
- The Van Gogh syndrome. Don’t buy into the myth that creativity is the province of tortured geniuses.
- Your craft, your voice. Practice, practice, practice your craft. It gives you fluency in the creative process and in technique. It’s technique that gives life to your creative ideas. Learning your craft opens the channel for your voice to flow.
- Showing up. “Nothing determines your creative life more than doing it,” says Roberts.
- The dance of avoidance. Starting is always a psychologically messy process, because there are no rules surrounding what you want to do. Setting up a dedicated space for the practice of your craft helps you shift gears directly into your creative process.
- Full-time or part-time. You can’t expect to fly consistently at a high level of inspiration.
- Follow something along. If you are going to say something authentic, you need to stick with an idea for a while, an idea that has personal resonance.
- Wagon train and scout. Creativity involves the interplay between where you are and where you see yourself going to keep your expression growing. Always be on the lookout for new paths, and observe how others solve the problems you face.
- Working method. Creativity is in the process, not in the finished results.
- Limits yield intensity. Unrestrained freedom is a myth, and it’s not productive.
- Being ready to show. Don’t spend your time marketing your creations. If you spend it creating, you are investing your work with the authenticity that will draw others to your efforts..
- You are more than creative enough. The question is not whether you are creative enough but whether you will free yourself to express it.
- Finding poetry in the everyday. Develop the power to see the ordinary as poetic.
- Holding the big picture. Always keep a sense of the whole. That commits you to making the moves that will ultimately represent what you see.
“In the beginner’s mind there are many possibilities, but in the expert’s there are few.- Shunryo Suzuki-Roshi